Today I am spotlighting Gary Ponzo. His latest novel is called A Touch of Deceit, and it's doing well in the Kindle market. Really well. One of the reasons for this is that I believe his book offers something a little different than many others out there, and the fact that he incorporates his Sicilian background into the story also helps.
The novel opens well with the line, "There was a time when Nick Bracco would walk down Gold Street late at night and young vandals would scatter." I like this because it incorporates action right from the start and gives readers plenty of things to question such as:
1. Who is Nick Bracco?
2. What's so special about Gold Street?
3. Why were vandals afraid of him?
This keeps the reader reading, which is exactly what should happen. And from there the story moves along well and at a fast pace and Ponzo adds several cliffhangers at the end of chapters to keep the readers turning the page.
I liked the many visuals offered throughout the book such as, "The evil seeped through the door like toxic waste." He also sets up scenes where you think you know what's happening and it turns out to be something else.
The terrorist aspect of the book reminded me of a good episode of 24 and he switches it up and allows you to see what's going on through different perspectives with multiple POV.
Overall, I found Gary Ponzo's novel entertaining and full of suspense.
The Interview:
1. Tell me about yourself, how you became to be a writer, and why you are a writer.
I've always written even as a young child. I guess it became apparent I had some skill when my teachers seemed to pick my work to copy and show the rest of the class. The most memorable came as a senior in high school when I'd forgotten to write an English assignment and scribbled a couple of paragraphs while taking the bus to school. The next day my English teacher gave me an "F" on the assignment and wrote, "Who are you kidding" on top of the paper. Naturally I thought she was referring to the jumpy script from writing on a bus with worn out shocks. When I meagerly asked why I received an "F" she flatly told me I couldn't have written that work, it was simply too good. Of course I was flattered, but needed to prove my innocence. She told me to sit down in front of her and write two paragraphs of an action scene. I did it. When I was done she'd read the work and looked at me with a red face and said, "Why are you wasting your time in my class? You never raise your hand, you never join in conversation, you barely complete assignments--why are you not getting serious about this skill you have?" Of course it took me many years to take her advice to heart. Too many.
2. Tell me about your book – what inspired it?
My book is political thriller about an FBI agent, Nick Bracco, who recruits his cousin Tommy to track down a terrorist. Tommy, however, is in the mafia. It's this relationship between law enforcement and those who break laws which sets up the drama of the novel.
My inspiration was born out of working in my father's candy store when I was just sixteen. I used to work alone on weekends and my father had some Sicilian friends watch over me while I was working, especially at night. I guess I knew they were mafia at the time, but to me they were family friends. They'd sip coffee and talk about their kids, baseball, my school. I wanted to show how these people were actually very patriotic, so when a terrorist comes to America to bomb soft targets, these Italian Americans show how much they value their American side.
3. What’s your favorite chapter in your book, and why?
Probably the climax. When Nick finally does come face to face with this terrorist, he finds a way to straddle the line between becoming a vigilante and legally protecting his country. I think it's my most powerful chapter in the book.
4. How did you choose the title of the book?
I wanted to come up with something which would display the undercurrent of using the mafia to scour the underworld for these terrorists. The FBI become's desperate and actually hands over classified files to these Italian Americans to help find these assassins, so they use a Touch of Deceit. It also can refer to the time Nick Bracco lies to the president about capturing this terrorist so he won't acquiesce to the terrorist's demands.
5. How long does it take you to write a book, and what’s your daily writing schedule?
This one took me over a decade because I was still publishing short stories and trying to make a living and be a dad and a husband too. I write mostly at night when the family is asleep so I'm not interrupting anyone's lives for me to get my story down. But if I focused just on writing novels I could probably get one done in six months.
6. What made you choose your particular genre?
I guess it's what interested me. I'm Sicilian and I thought a Sicilian protagonist was interesting, but once I realized he would be an FBI agent, I knew my story would be a little different than most in that genre.
7. Are you working on another book now – if so, what would you like to tell the readers about it?
Yes, because of the success of A Touch of Deceit I'm furiously working on the sequel, A Touch of Revenge. A week doesn't go by without receiving a comment from one of my readers about the progress of the sequel. It's a very rewarding feeling knowing there are literally thousands of people waiting to read what I'm writing. I'm very blessed.
8. Where can you be found on the internet?
Website
Strong Scenes Blog
Monday, April 4, 2011
Monday, March 7, 2011
Self-Publishing: How to Find a Great Graphic Artist/Book Artist/Cover Designer
The first and most important part of finding a great graphic artist is making sure they are skilled in YOUR genre. Some are multi-genre, while others are experts in one specific area.
On my author group, Indie Writers Unite, I have a Yellow Pages document of cover designers that you can get quotes from.
When I wrote, Black Diamond Death, I was still getting my feet wet in the industry, and I went with a talented lady, and I thought the cover turned out good, but then I found someone who took it to the next level. So sometimes it's trial and error, but it's a great feeling when you find that perfect fit.
To point you in the right direction, a good place to start is by looking on my Yellow Page list on Indie Writers Unite.
And here are a few recommendations that are affordable:
FLIP CITY BOOKS - Christine DeMaio Rice
She is quick, sharp, and affordable--and she can do any genre. Tell her I sent you.
ADORKABLE DESIGNS - Jack Wallen
Jack is both a talented writer and designer.
Medium--but still affordable--designers
Author J.A. Konrath uses Carl Graves as his cover artist.
Bob Aulicino has designed covers for J.A. Jance and Lawrence Block.
And here's something really cool - it's a video that shows how a book cover was made. Love it!
Now, as one final item of note - I want to caution you all NOT to pay too much. I believe all the graphic artists I have listed here to be honest and fair, but please be careful. I received quotes from under $100 to almost $1,000 SHEESH!
I believe anything up to about $500 for both an eBook cover and a paperback cover, complete with spine, is acceptable.
Some authors also offer pre-made covers, where they just take a stock photo and slap your title and name on it. It's a good option if you are writing just an eBook novella or novelette that won't be in print. But you need to understand going into something like that--it's a possibility you'll see your cover on another authors book as well. Stock covers can be bought by anyone.
On my author group, Indie Writers Unite, I have a Yellow Pages document of cover designers that you can get quotes from.
When I wrote, Black Diamond Death, I was still getting my feet wet in the industry, and I went with a talented lady, and I thought the cover turned out good, but then I found someone who took it to the next level. So sometimes it's trial and error, but it's a great feeling when you find that perfect fit.
To point you in the right direction, a good place to start is by looking on my Yellow Page list on Indie Writers Unite.
And here are a few recommendations that are affordable:
FLIP CITY BOOKS - Christine DeMaio Rice
She is quick, sharp, and affordable--and she can do any genre. Tell her I sent you.
ADORKABLE DESIGNS - Jack Wallen
Jack is both a talented writer and designer.
Medium--but still affordable--designers
Author J.A. Konrath uses Carl Graves as his cover artist.
Bob Aulicino has designed covers for J.A. Jance and Lawrence Block.
And here's something really cool - it's a video that shows how a book cover was made. Love it!
Now, as one final item of note - I want to caution you all NOT to pay too much. I believe all the graphic artists I have listed here to be honest and fair, but please be careful. I received quotes from under $100 to almost $1,000 SHEESH!
I believe anything up to about $500 for both an eBook cover and a paperback cover, complete with spine, is acceptable.
Some authors also offer pre-made covers, where they just take a stock photo and slap your title and name on it. It's a good option if you are writing just an eBook novella or novelette that won't be in print. But you need to understand going into something like that--it's a possibility you'll see your cover on another authors book as well. Stock covers can be bought by anyone.
Self-Publishing: Book and eBook Cover Artists/Graphic Artists and Why You Need One
So you've finished your novel and you have decided to publish it yourself. Well, to do that, you need a graphic artist (unless you are talented enough to do it yourself, and if you are - bravo!) For the rest of you, here's some help...
The first thing I want to say is that you don't just want to hire the first person who comes along. Here are my recommendations:
1. When you query a graphic/book cover artist, check out samples of their work and if they don't have any, request them. And here's why. Book covers can increase or decrease your sales so you want a cover that reflects the fantastic book you wrote.
2. One of the coolest things about self-publishing is that you are in control. Usually you don't even get a say with the cover of your book when it's being distributed by a publishing house so here's where you can get creative, and also - you can tell the artist that you like it, don't like, want this change and that change, etc. You CAN be picky, and you should. After all, this is your baby we're talking about, right!
For an idea of the process and how it works, let's use an example from my novel Black Diamond Death.
The first thing I did after choosing the person I wanted to design the cover was to tell her in a few sentences what the book was about and what I thought the cover should look like, and then I let her do her thing.
Here's the metamorphasis:
These were the first images that I got back, and I chose the first because I thought the background was lovely, and in my novel, it's a clear day when the skier is on the slopes and in the second and third photo, I thought it looked like she was caught in a tornado of some kind. I also didn't like the font or the colors, so I made some suggestions and actually sent her a few novels with fonts that I did like.
These next two were starting to look a lot more exciting to me. I liked the first one quite a bit, and I didn't like the second one at all - mostly because I thought it looked like he was in a cartoon. But, cool graphic. And then I decided, well - I didn't like the skier because my skier was a girl and this person looks like a dude.
So then, she sent me these two options for women skiers, and I loved the second one.
Now we had the new skier and the graphic artist was ready to make the final adjustments to the cover and add the tagline.
And I know I'm partial because it is my own book cover, but how amazing is my graphic artist? It doesn't get any better than this.
The first thing I want to say is that you don't just want to hire the first person who comes along. Here are my recommendations:
1. When you query a graphic/book cover artist, check out samples of their work and if they don't have any, request them. And here's why. Book covers can increase or decrease your sales so you want a cover that reflects the fantastic book you wrote.
2. One of the coolest things about self-publishing is that you are in control. Usually you don't even get a say with the cover of your book when it's being distributed by a publishing house so here's where you can get creative, and also - you can tell the artist that you like it, don't like, want this change and that change, etc. You CAN be picky, and you should. After all, this is your baby we're talking about, right!
For an idea of the process and how it works, let's use an example from my novel Black Diamond Death.
The first thing I did after choosing the person I wanted to design the cover was to tell her in a few sentences what the book was about and what I thought the cover should look like, and then I let her do her thing.
Here's the metamorphasis:
These were the first images that I got back, and I chose the first because I thought the background was lovely, and in my novel, it's a clear day when the skier is on the slopes and in the second and third photo, I thought it looked like she was caught in a tornado of some kind. I also didn't like the font or the colors, so I made some suggestions and actually sent her a few novels with fonts that I did like.
These next two were starting to look a lot more exciting to me. I liked the first one quite a bit, and I didn't like the second one at all - mostly because I thought it looked like he was in a cartoon. But, cool graphic. And then I decided, well - I didn't like the skier because my skier was a girl and this person looks like a dude.
So then, she sent me these two options for women skiers, and I loved the second one.
Now we had the new skier and the graphic artist was ready to make the final adjustments to the cover and add the tagline.
And I know I'm partial because it is my own book cover, but how amazing is my graphic artist? It doesn't get any better than this.
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